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Cuba: the Island of the grandchildren of the Cuban Revolution


A few days after the Líder Máximo's passing, a film, Santa y Andrés, best symbolizes the dilemmas that are troubling the children and, in particular, the grandchildren of the barbudos, who brought forth the events in 1959. In a small village, the government instructs a peasant woman faithful to the Revolution to watch a dissident homosexual writer. A particular and deep relationship grows between the two. The questions the film suggests are: Can one hate a stranger just because he/she thinks differently? Are we defined by ideology? Is it really necessary to take sides?

School girls paint their faces while waiting for the ashes of Cuba's former President Fidel Castro to pass during a journey to the eastern city of Santiago de Cuba, in Bayamo, Cuba, December 2, 2016. REUTERS/Enrique De La Osa

A few days after the Líder Máximo’s passing, a film, Santa y Andrés, best symbolizes the dilemmas that are troubling the children and, in particular, the grandchildren of the barbudos, who brought forth the events in 1959. In a small village, the government instructs a peasant woman faithful to the Revolution to watch a dissident homosexual writer. A particular and deep relationship grows between the two. The questions the film suggests are: Can one hate a stranger just because he/she thinks differently? Are we defined by ideology? Is it really necessary to take sides?

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